This is a great comeback for all of that “I don’t see race.” BS
AND YOU BENEFIT FROM IT EVERY DAY
When women used to be depressed or were not “taking care of their men” properly their husbands could send them to the psych ward for attitude adjustments. This was part of conditioning them to always wear a smile. They believed that if a woman saw herself smiling that it would become natural practice and that she would be “cured”. This often went along with shock therapies.
This gives a whole new level of creepiness to when random men tell you to smile.
Will There Be Justice For Jada?
Source: Think Progress
In an incident that shares several elements with the infamous Steubenville rape case that made national headlines last year, a 16-year-old girl from Texas says that photos of her unconscious body went viral online after she was drugged and raped at a party with her fellow high schoolers. But the victim isn’t backing down. She’s speaking out about what happened to her, telling her story to local press and asking to be identified as Jada.
After other teens started mocking her online — sharing images of themselves splayed out on the floor in the same pose as Jada’s unconscious body under the hashtag #jadapose — the victim decided to speak out. She sat down with local outlet KHOU 11 to tell her side. “I’m just angry,” Jada said.
According to Jada, she was invited to a party at a fellow high schooler’s house. The boy who was hosting the party gave her a drink that she believes was spiked with a drug that made her lose consciousness. She passed out and doesn’t remember what happened next. But then she started seeing evidence of her sexual assault circulated online, and some of her peers started texting her to ask her if she was okay.
Then, #jadapose started turning her rape into a joke. When the Houston Press reached out to one of the individuals who shared a popular #jadapose photo, he said that he didn’t personally know Jada and was simply “bored at 1 a.m. and decided to wake up my (Twitter timeline).”
Jada decided to share her name and her story with the press because she has nothing to hide anymore. “Everybody has already seen my face and my body,” she said, “but that’s not what I am and who I am.” Nonetheless, the social media firestorm has taken a toll on her. She says she now wants to be homeschooled.
“No one’s daughter deserved this,” her mother, who asked not to be identified by name, told KHOU 11 News. “No human being deserved this.”
Like Jada, the Steubenville rape victim found out about her assault on social media, after images of her peers dragging her unconscious body were posted on Instagram and Twitter. A video of her attackers laughing and joking about her victimization — saying she was “deader than Trayvon Martin” — horrified people across the nation who wondered why these boys thought violating someone’s consent was so funny. After the internet hacktivist group Anonymous got involved in the case, and started demanding justice for the Steubenville victim, much of the country started paying attention to the criminal proceedings in the tiny Ohio town.
But, while Steubenville certainly helped spark a national conversationabout issues related to rape culture, it’s worth remembering that it’s hardly the only egregious example of sexual assault, victimization, and cyberbullying. The increased awareness to the subject at the time didn’t change the fact that the majority of teens still don’t learn anything abouthealthy relationships or sexual consent, and most young girls actually think of sexual violence as normal. Cases like Jada’s are happening all across thecountry, often exacerbated by kids who think it’s funny to post about it on social media.
The Houston police is currently investigating Jada’s allegations, and no arrests have yet been made. The alleged perpetrator has denied that a sexual assault occurred, referring to Jada as a “hoe” who “snitched.”
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become.
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy.
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet.
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”
From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
These are just so damn great.
The hijab is not the most important part of being a Muslim woman, but it is certainly the most visible. In a time when Islamophobia only seems to be on the rise in the West, a practice that is so personal and diverse has become a warped and misunderstood part of a flat and monolithic picture of Muslim women.
Saw this in Brooklyn.